My job as a performer is to make it impossible for you, the listener, to say that. In fact, you can only have heard it before if it is a recording and, even then, if it is a really good recording there will always be some fresh element that commands your attention.
But we are trained to not need to listen--by we I mean musicians. Once we can identify the snippet, as in
"Name that Tune!", we are done. No need to listen with a question mark: Is that all there is to this? What more could be happening that is not apparent at this moment? Or, on a deeper level, is this really a minuet or is the composer playing games with me?
In our era of reproduced everything the full zest and savor of every sound risks getting lost. Come on: let's put it back. Let's insist on getting it back.
Thursday, July 4, 2013
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