Having now, at last, discovered the secret to that pesky G major Piano Sonata K. 283 I will never again want for things to search for and point up in my playing, whether or not there is an audience.
Wolfgang Amadeus is always there, listening, that I know for sure.
To F# or not to F# that is the perpetual question in that piece. How many ways can you do it? Or not do it? Can you possibly keep track without losing your bearings?
Try it and let me know how you fare.
